The book (The Collapse of the Contemporary Art Factory) by Ahmed Shawky Hassan comes as an inevitable result of many hypothetical questions, which revolve around the challenges facing the practice of contemporary art as a profession, and the strategies that the artist can imagine in order to rearrange his daily reality, in light of working within a professional scene under pressure. excessive productivity; Its structure consisted of a micro-economic base, bearing a very broad conical top, and a huge network of thousands of artists, cultural workers, and other complementary professions, aspiring that contemporary art was a profession like any other.