Damascus in the final year, beautiful, fragile and transparent like glass.In a small house inhabited by a family of three, four destinies intertwine: the mother that refuses the present in the name of the past, the daughter refuses it in the name of all things fragile, the son refuses it in the name of contemporary cinema. In order to face this ambiguous present, to escape it, to indulge in it, the family invites a “realistic” young man for dinner.