The play is built on two elements: an actress and a treadmill. It is my habit, me, Hanan Hajj Ali, a Lebanese citizen and an actress, to do some daily jogging in order to stay fit and avoid fat, osteoporosis, stress, etc. This routine creates continuity and interruption between my personal intimate space as Hanan and between the public space of the city where I jog. The exercise helps me release hormones like adrenaline and dopamine, which have the opposite effects of rousing and calming, construction and destruction, amidst a city that destroys to rebuild and destroy again.